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Overview
Synopsis
Set on the remote island of Inishmaan, Vaughan-William鈥檚 intensely tragic opera is based on J.M. Synge鈥檚 play Riders to the Sea. Before the opera starts, Maurya has lost her husband, his father, and five of their sons to the sea. One son is still missing and the family is awaiting news of any remains being washed up on the shore. The priest has given Nora, the younger sister, some clothing which was taken off a drowned man, and asked her to find out if they belong to Michael. She and her sister Cathleen put the things away hurriedly as their mother, Maurya wakes up; they don鈥檛 want to worry her.
Bartley rushes in making preparations to leave, and his mother begs him not to leave, cursing and scolding him for going. He has to take the horses to the fair, and he cannot miss this boat. At Cathleen鈥檚 insistence, Maurya follows him a short while after, with the intention of giving him her blessing instead of leaving him with a 鈥榙ark word鈥�. When she returns she is distraught and almost in a trance. She has seen the ghost of her missing son, Michael, riding on the pony behind Bartley. For Maurya, this is a sign that her last remaining son will be lost to the sea. As she lists the children she has lost to the sea, the sound of keening confirms her vision. Bartley鈥檚 body is brought in and Maurya prays for Bartleys soul as a bleak calm settles over her.
Vaughan-Williams sets Synge鈥檚 play to music with very few changes, capturing the lilting rhythms of the Irish dialect which is woven into Synge鈥檚 language. The surging and rushing of the violent sea and the chilling wind can be heard in this thrilling score, and they sweep a listener away onto a tumultuous emotional journey with Maurya, a mother in mourning.
Show Information
- Music
- Ralph Vaughan-Williams
- Libretto
- John Millington Synge
- Based on the Play/Book/Film
- Riders to the Sea by John Millington Synge
- Category
- Opera
- Age Guidance
- Thirteen Plus (PG-13)
- Number of Acts
- 1
- First Produced
- 1937
- Genres
- Drama, Tragedy
- Settings
- Unit/Single Set
- Time & Place
- Aran Islands, Inishmaan, Ireland, 1900
- Cast Size
- small
- Orchestra Size
- Large
- Dancing
- None
- Ideal For
- Chamber Opera, College/University, Mature Audiences, Mostly Female Cast, Professional Opera, Small Cast, Includes Mature Adult, Elderly, Young Adult, Adult Characters
Context
Plot
Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
|
Lead |
Female |
Soprano |
|
|
Lead |
Female |
Soprano |
|
|
Lead |
Male |
Baritone |
|
|
Lead |
Female |
Contralto |
|
|
Ensemble |
Female |
Soprano, Mezzo-Soprano, Contralto |
Songs
Riders to the Sea is a through-composed piece without strict scene delineations. Guidelines given here are intended to give a general idea of the different events which occur through the opera, and which characters are involved. Scene titles are author鈥檚 own.
Maurya is sleeping, something from the priest 鈥榃here is she?鈥� 鈥楽he鈥檚 lying down鈥� - Nora, Cathleen
Maurya wakes up 鈥業sn鈥檛 it turf enough you have鈥� - Maura, Cathleen, Nora
Bartley comes home 'Where is that bit of new rope, Cathleen鈥� - Bartley, Cathleen, Maurya, Nora
Bartley leaves 鈥楬e鈥檚 done now, God spare us鈥� - Maura, Cathleen, Nora
The sisters examine the items from the priest 鈥榃ait, Nora, maybe she鈥檇 turn back quickly鈥� - Cathleen, Nora
Maurya returns 鈥榊ou didn鈥檛 give him his bit of bread?鈥� - Maurya, Cathleen, Nora
Maurya鈥檚 vision 鈥�I went down to the spring well鈥� - Maurya, Cathleen, Nora
Maurya鈥檚 losses 鈥楤artley will be lost now鈥� - Maurya, Cathleen, Nora, Chorus of keening women
Bartley is brought home 鈥業s it Bartley it is?鈥� - Cathleen, A Woman, Nora, Maurya
It is finished 鈥�They are all gone now鈥� - Maurya, keening women, Nora, Cathleen
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
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Guide Written By:
Wendy Silvester
Singer and vocal coach based in the UK.