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Overview

Synopsis

In this community, the people have been left to live freely on the plantation where they were previously enslaved. Work and money are scarce, and the people are greatly influenced by superstitions, peddled by elderly men who call themselves conjurers.

Treemonisha has lived in this community her whole life, and is one of the few people who was able to have an education. Treemonisha was abandoned as a baby, and found under a tree by Monisha and Ned, who took her in and raised her as their own. They wanted the best for her, so exchanged their labor for her to receive an education from a local white family. Now, Treemonisha is eighteen, and is fighting back against the predatory conjurers and dangerous superstitions.

The conjurers decide to teach Treemonisha a lesson, and kidnap her, intending to punish her by throwing her onto a wasps nest. At the last moment, they are scared away by a terrifying figure running towards them, believing it to be the devil. It was only Treemonisha鈥檚 friend, Remus, dressed as a scarecrow, coming to rescue her. When they return to the community, the men have captured the conjurers, and intend to beat them, but Treemonisha stops them. She and Remus teach the community that nothing will be achieved in treating others badly. The community beg Treemonisha to be their leader, and she accepts.

Containing influences as contrasting as ragtime, jazz, and Wagner鈥檚 Ring Cycle, and story elements taken from both Joplin鈥檚 own life and African-American folk stories, Treemonisha is truly a masterpiece of a work. Written in 1911, it did not receive its first public performance until 1972, and only now is beginning to get the recognition it deserves.

Show Information

Music
Scott Joplin
Libretto
Scott Joplin
Category
Opera
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
3
First Produced
1972
Genres
Drama
Settings
Multiple Settings, Period
Time & Place
Arkansas, Texarkana, A Liberated Plantation, 1884
Cast Size
medium
Orchestra Size
Medium
Dancing
Some Dance
Licensor
None/royalty-free
Ideal For
College/University, Diverse Cast, Professional Opera, Mostly Male Cast, Includes Late Teen, Young Adult, Mature Adult, Elderly, Adult Characters, Medium Cast

Context

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Plot

Characters

Name Part Size Gender Vocal Part

Treemonisha

Lead

Female

Soprano

Monisha

Lead

Female

Soprano

Ned

Lead

Male

Bass

Remus

Supporting

Male

Tenor

Lucy

Supporting

Female

Soprano

Andy

Supporting

Male

Tenor

Zodzetrick

Supporting

Male

Baritone

Simon

Supporting

Male

Bass

Luddud

Featured

Male

Bass

Cephus

Featured

Male

Tenor

Parson Alltalk

Featured

Male

Bass

Chorus

Ensemble

Either Gender

Soprano, Mezzo-Soprano, Contralto, Tenor, Baritone, Bass

Songs

Act 1

  • Overture
  • 鈥楾he Bag of Luck鈥� - Zodzetrick, Monisha, Ned, Treemonisha, Remus
  • 鈥楾he Corn Huskers鈥� - Treemonisha, Remus, Chorus
  • 鈥榃e're Goin' Around: A Ring Play鈥� - Andy, Chorus
  • 鈥楾he Wreath鈥� - Treemonisha, Lucy, Monisha, Chorus
  • 鈥楾he Sacred Tree鈥� - Monisha
  • 鈥楽urprised鈥� - Treemonisha, Chorus
  • 鈥楾reemonisha's Bringing Up鈥� - Monisha, Treemonisha, Chorus
  • 鈥楪ood Advice鈥� - Parson Alltalk, Chorus
  • 鈥楥onfusion鈥� - Monisha, Chorus, Lucy, Ned, Remus

Act 2

  • 鈥楽uperstition鈥� - Simon, Chorus
  • 鈥楾reemonisha in Peril鈥� - Simon, Chorus, Zodzetrick, Luddud, Cephus
  • Frolic of the Bears
  • 鈥楾he Wasp Nest鈥� - Simon, Chorus, Cephus
  • 鈥楾he Rescue鈥� - Treemonisha, Remus
  • 鈥榃e Will Rest Awhile / Song of the Cotton Pickers鈥� - Chorus
  • 鈥楪oing Home鈥� - Treemonisha, Remus, Chorus
  • 鈥楢unt Dinah Has Blowed de Horn鈥� - Chorus

Act 3

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

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Scenes

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Key Terms

    A story originating in popular culture, typically passed on by word of mouth.

    A genre of music developed especially from ragtime and blues and characterized by syncopated rhythms, complex chords, elements of improvisation, and distortions of pitch and timbre.

    Description of material not protected by copyright law.

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Guide Written By:

Wendy Silvester

Wendy Silvester

Singer and vocal coach based in the UK.